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The Beauty of L^aT_eX

There are several reasons why one should prefer L^aT_eX to a WYSIWYG word processor like Microsoft Word: portability, lightness, security are just a few of them (not to mention that L^aT_eX is free). There is still a further reason that definitely convinced me to abandon MS Word: you will never be able to produce professionally typeset and well-structured documents using most WYSIWYG word processors.
L^aT_eX is a free typesetting system that allows you to concentrate on content and forget about the layout: the software takes care of the actual typesetting, structuring and page formatting, producing documents of astonishing elegance.
The software I use to write in L^aT_eX on a Mac compiles documents in PDF format (but exporting to other formats such as RTF or HTML is also possible). It supports unicode and all the advanced typographic features of OpenType and AAT fonts, like Adobe Garamond Pro and Hoefler Text. It allows fine-tuned control on a number of typesetting options, although just using the default configuration results in documents with high typographic quality. In what follows I review some examples, comparing how fonts are rendered in MS Word and in L^aT_eX.

Contents

1. Kerning
2. Real Small Caps
3. Common ligatures
4. Rare and ancient ligatures
5. Glyph variants
6. Line breaks, justification and hyphenation
7. Getting expert fonts
8. Links
9. Acknowledgments
10. Technical notes

 

1. Kerning

Kerning is the process of selectively adjusting the spacing between letters pairs to improve the overall appearance of text. Examples of letter pairs that need kerning treatment are AV, AY, PA, and AT. These letter pairs often look awkward together, and need to either be moved closer together, or further apart manually. Professional typesetting systems and fonts allow fine-grained adjustments for such letter pairs. Popular word processors either lack support for kerning tables or disable kerning by default (this is the case with both Microsoft Word for Mac OS v.X and 2008) [Thanks to Mark Dancer and Nicholas Shera for pointing this out].

MS Word (wrong default kerning for the "Ta" letter pair):

[Adobe Garamond Pro, 48pt] pdf doc

L^aT_eX (correct kerning for the "Ta" letter pair):

[Adobe Garamond Pro, 48pt] pdf tex

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2. Real small caps

Most word processors create fake small capitals by adjusting the size of capitals. Professional fonts contain different sets of glyphs for small capitals and full-size capitals that any serious typesetting system should be able to use in the appropriate context. In particular, real small capitals are more than resized versions of uppercase capitals: they have a relatively heavier stroke and are designed to be visually compatible with lowercase characters of the same typeface.

MS Word (fake small caps):

[Adobe Garamond Pro, 48pt] pdf doc

L^aT_eX (real small caps):

[Adobe Garamond Pro, 48pt] pdf tex

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3. Common ligatures

A good typesetting programme should always use contextual intelligence and substitution tables to determine whether ligatures are needed. Common ligatures are essential to professionally typeset text.

MS Word (common ligature errors):

L^aT_eX (correct use of ligatures):

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4. Rare and ancient ligatures

X_ƎT_eX in conjunction with professional fonts gives the possibility to exploit the whole set of rare ligatures and decorations, that are automatically added to the text.

MS Word (text with no ligature):

L^aT_eX (text with rare and old-style ligatures):

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5. Glyph variants

Expert fonts often include variants or alternate shapes for alphabetic characters and numbers. X_ƎT_eX with the fonstpec package offers the possibility to access and select variants on single characters or for a whole text block.

L^aT_eX (example of font variants):

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6. Line breaks, justification and hyphenation

Readability results not only from a good selection of typefaces, but also from a correct distribution of characters and whitespace per line. To attain this goal, most WYSIWYG word processors use relatively dumb justification/hyphenation procedures (i.e. algorithms that establish the position for line breaks by processing text line by line). L^aT_eX uses an advanced algorithm, based on seminal work by Donald Knuth and Michael F. Plass and enhanced by Frank Liang in 1983 for his PhD dissertation and, which considers paragraphs as `wholes´ in order to decide where to add line breaks [Thanks to Olaf 'Rhialto' Seibert for the correct attribution]. The algorithm uses language-specific patterns in order to decide the preferred position for hyphenation. The engine then selects line breaks so as to make paragraphs look as good as possible. Information that is taken into account for calculating optimal line breaks includes the number of consecutive lines ending with hyphens, word tightness on each line, the change of tightness between consecutive lines. Further development has enabled the L^aT_eX engine to allow certain characters to stick into the margin, thus generating an optically straight margin - i.e., a margin that looks straight without being geometrically so. L^aT_eX's hyphenation settings can be fine-tuned by expert users.

Advanced hyphenation/justification in L^aT_eX:

For visual examples of the differences between paragraph and line-by-line based algorithms, see Maarten Sneep's document: Justification & Hyphenation in various text engines

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7. Getting expert fonts

X_ƎT_eX gives the best results with expert fonts such as those based on OpenType technology but works with standard TrueType fonts as well. Zillions of expert fonts can be purchased online from digital foundries, but Mac OS comes bundled with a number of excellent fonts with expert features (e.g. Hoefler Text, Optima, Skia, Apple Chancery, Zapfino). More free OpenType fonts are available on the net. Check out for example the Gentium, Charis SIL and Doulos SIL fonts from SIL, Cardo by David J. Perry, the free fonts designed by Jos Buivenga (the creator of Fontin), or this amazing collection of professional quality fonts selected by Vitaly Friedman.

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8. Typesetting with L^aT_eX: selected links

• LaTeX on Mac OS X: a selection of L^aT_eX-related opensource software for Mac.
• Typesetting an academic CV in LaTeX. Templates and examples of how to compose an academic curriculum vitæ or resume using X_ƎT_eX and expert fonts.
• SIL International, the X_ƎT_eX typesetting system ››
• Luc Devroye, Fonts with TeX - possibly the most comprehensive selection of resources on fonts in T_eX/L^aT_eX.
• Andrew Roberts, LaTeX vs. MS Word.
• Allin Cottrell, Word Processors: Stupid and Inefficient.
• Kevin O'Malley, L^aT_eX: It's Not Just for Academia - part 1 :: part2.
• TeX showcase - edited by Gerben Wierda, it features examples of what you can do with T_eX.
• Humanities books typeset with TeX - examples of professional T_eX typesetting of books in the humanities, selected by the Association of American University Presses.
• TeX font sampler - booklet illustrating and comparing how different typefaces look like in L^aT_eX.
• LaTeX typefaces - comparison of fonts available with the standard L^aT_eX distribution.
• LaTeX - A document preparation system - official site of the L^aT_eX project.
• TUG.org - The T_eX Users Group (TUG) was founded in 1980 for educational and scientific purposes, to provide an organization for those who have an interest in typography and font design, and are users of the T_eX typesetting system invented by Donald Knuth.

9. Acknowledgments

Thanks to all those who helped improve this article with valuable feedback: Will Robertson (fontspec author), Bastien Guerry, Nicholas Shera, Mark Dancer, Olaf 'Rhialto' Seibert.

10. Technical notes

These examples were produced on a Powerbook G4 running Mac OS 10.3.9, with Microsoft Word v.X and TeXShop 1.35, the X_ƎT_eX engine with fontspec package, and using the following fonts: Adobe Garamond Pro (commercial font), Adobe Minion Pro (commercial font), Hoefler Text (font bundled with Mac OS X), Zapfino (font bundled with Mac OS X). This article, the PDF samples and T_eX sources are licensed under a Creative Commons Attribution-Share Alike 3.0 Unported License. A backlink is sufficient for attribution. The T_eX, L^aT_eX and X_ƎT_eX logos on this page are rendered via a nifty XHTML and CSS hack by Edward O'Connor.

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